Subverted Historical Narratives Behind the Creation of Chicago House Museums

Abstract

The creation of the institution of the house museum in America has been tailored by many authors, reformed by politicians, and codified by a variety of establishments. This dissertation examined six homes in Chicago that, at various points in time, were accessible to the public, offering exhibits and programming to illuminate about the epitome in residential living, which was made possible through capitalist models of wealth generation and centralization. Domestic architecture hence functioned as a prime totem for supreme capitalist accomplishment. Architectural expression was quick to follow suit, conveying its arrival in the upper echelons of society, exclusionary belonging, and celebration of dynastic achievement.